Pontifical Institute of Mediaeval StudiePontifical Institute
of
Mediaeval Studies

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Studies and Texts

The Institute has over 200 titles in print, as well as the journal Mediaeval Studies; it also publishes volumes on behalf of the Centre for Medieval Studies and The Dictionary of Old English in the University of Toronto, and distributes publications of l’Institut d’Études Médiévales, Montreal. PIMS titles are usually part of a numbered series, and some are assigned a secondary series as well. This electronic catalogue lists all currently available Institute publications; a PDF version of the current catalogue is also available.


The Arts of Editing Medieval Greek and Latin: A Casebook

Edited by
Elisabet Göransson, Gunilla Iversen, Barbara Crostini, Brian M. Jensen, Erika Kihlman, Eva Odelman, and Denis Searby

The Arts of Editing Medieval Greek and Latin: A Casebook Studies and Texts

Studies and Texts 203. xx, 452 pp. 2016. ISBN 978-0-88844-203-1 • Cloth • $70

With the triumph of the codex, medieval literature became more deeply hermeneutic in character. A vast range of texts, in various languages and genres, were not only copied with the commentaries and glosses of ancient tradition, but also underwent continuous reworking and transformation. Indeed, the very act of transcribing texts into a manuscript was often an incentive to rewrite them. This practice resulted in a bewildering number of textual versions that lived alongside their originals, and sometimes displaced them, but were nevertheless fundamental to their transmission and interpretation, often resulting in complex textual layers.

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Liturgy and Law in a Dalmatian City: The Bishop's Book of Kotor (Sankt-Peterburg, BRAN, F. no. 200)

Richard F. Gyug

Liturgy and Law in a Dalmatian City: The Bishop's Book of Kotor (Sankt-Peterburg, BRAN, F. no. 200) Studies and Texts

Studies and Texts 204; Monumenta Liturgica Beneventana 7. xxxii, 640 pp. plus 10 plates. ISBN 978-0-88844-204-8 • Cloth • $110

The manuscript that is the subject of this study and edition constitutes a rich source for the study of the society and culture of the southern Dalmatian coast. The major parts of the manuscript were written in Beneventan script in the mid-twelfth century, perhaps for the dedication in 1166 of the new cathedral of Kotor in southern Dalmatia, now Montenegro. The core of the manuscript, which contains a lectionary with epistles and gospels for major feasts of the liturgical year and a pontifical with ceremonies proper to a bishop, functioned as a liturgical compendium for the use of the cathedral and bishop of Kotor. Two gatherings of sermons were added to the codex, likely in the early thirteenth century, and ecclesiastical documents and communal statutes were copied in the margins and on blank pages.

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Interlacing Traditions: Neo-Gregorian Chant Propers in Beneventan Manuscripts

Luisa Nardini

Interlacing Traditions: Neo-Gregorian Chant Propers in Beneventan Manuscripts Studies and Texts

Studies and Texts 205; Monumenta Liturgica Beneventana 8. xvi, 444 pp. plus 16 plates. ISBN 978-0-88844-205-5 • Cloth • $100

This book is the first comprehensive study of the neo-Gregorian chants for the Proper of the Mass that circulated in the Beneventan region between the tenth and the thirteenth centuries. This extensive repertory demonstrates in extraordinary ways the struggles of local cantors to mediate between conformity to a standardized liturgy pursued by the Carolingians and the papacy, and a desire to maintain elements of the local musical culture.

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Simon of Tournai, On the Incarnation of Christ: Institutiones in sacram paginam 7.1–67

Edited and translated by
Christopher P. Evans

Simon of Tournai, On the Incarnation of Christ: Institutiones in sacram paginam 7.1–67 Studies and Texts

Studies and Texts 211, Mediaeval Law and Theology 9. 2017. xiv + 188 pp. ISBN 978-0-88844-211-6 • Cloth • $80

Simon of Tournai was a theological master who flourished in the Paris of the 1160s and enjoyed considerable renown. Composed between 1160 and 1165, Simon’s Institutiones in sacram paginam is among the earliest treatments of the Incarnation after the Sentences of Peter Lombard (ca. 1157/8). In it, Simon provided precise and lucid treatments of fundamental topics regarding the person of the incarnate Christ. Indeed, the Institutiones has proved an important witness to the development of Christology in the late twelfth and early thirteenth centuries and had a strong and lasting influence on the theology of the Middle Ages.

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The Correspondence and Unpublished Papers of Robert Persons, SJ, vol. 1: 1574–1588

Edited by
Victor Houliston, Ginevra Crosignani, and Thomas M. McCoog, SJ

The Correspondence and Unpublished Papers of Robert Persons, SJ, vol. 1: 1574–1588 Studies and Texts

Studies and Texts 207; Catholic and Recusant Texts of the Late Medieval & Early Modern Periods 4. 2017. xx + 730 pp. ISBN 978-0-88844-207-9 • Cloth • $115

Robert Persons is recognized as one of the most intriguing public figures of the Reformation era in England. As the superior of the Jesuit English mission from 1580 until 1610, he was engaged in a campaign for the reconversion of England that had wide political, ecclesiastical, pastoral, and polemical ramifications. Awareness of his importance has increased with the rapid growth of early modern British Catholic studies. His career continues to prompt much debate, especially over his political attitudes and activities; hence the need for a comprehensive and up-to-date edition of his correspondence.

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Optics, Ethics, and Art in the Thirteenth and Fourteenth Centuries: Looking into Peter of Limoges's Moral Treatise on the Eye

Edited by
Herbert L. Kessler and Richard G. Newhauser

Optics, Ethics, and Art in the Thirteenth and Fourteenth Centuries: Looking into Peter of Limoges's Moral Treatise on the Eye Studies and Texts

with the assistance of Arthur J. Russell

Studies and Texts 209; Text Image Context: Studies in Medieval Manuscript Illumination 5. 2018. xiv + 212 pp. ISBN 978-0-88844-209-3 • Cloth • $95

This volume examines afresh the various ways in which the introduction of ancient and Arabic optical theories transformed thirteenth-century thinking about vision, how scientific learning came to be reconciled with theological speculation, and what effect the results of these new developments had on those who learned about them through preaching.

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Painting the Page in the Age of Print: Central European Manuscript Illumination of the Fifteenth Century

Edited by
Jeffrey F. Hamburger, Robert Suckale, and Gude Suckale-Redlefsen

Painting the Page in the Age of Print: Central European Manuscript Illumination of the Fifteenth Century Studies and Texts

Studies and Texts 208; Text Image Context: Studies in Medieval Manuscript Illumination 4 • 2018 • xxxiv + 330 pp. • ISBN 978-0-88844-208-6 • Cloth • $110

The history of the book in the late Middle Ages is associated especially with Gutenberg’s momentous invention of printing with movable type. Printing, however, hardly replaced the manuscript book overnight; in respect to content, materials, format, decoration, dissemination, and technique, the fifteenth century in German-speaking lands witnessed an extraordinary range of innovation and experimentation. Nonetheless, over a century of scholarship has tended to dismiss the illuminated manuscripts produced in central Europe between 1400 and the Reformation, the vast majority of them unknown beyond a small group of specialists, as mediocre manifestations of a culture in decline. This book – originally published in German to accompany a series of exhibitions in Germany, Austria, and Switzerland from 2015 to 2017 – was written to challenge these prejudices and the weight of tradition they represent.

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Richard Rolle's Melody of Love: A Study and Translation with Manuscript and Musical Contexts

Translated by
Andrew Albin

Richard Rolle's Melody of Love: A Study and Translation with Manuscript and Musical Contexts Studies and Texts

Studies and Texts 212 • 2018 • xx + 468 pp. • ISBN 978-0-88844-212-3 • Cloth • $90

The Melos amoris stands as the most daring literary achievement of medieval England’s most influential mystic, Richard Rolle. Full of autobiographical glimpses and spiritual rhapsodies, this sustained étude in alliterative, rhythmic Latin prose contains Rolle’s first public account of his profoundly sensory mystical experience. The current volume provides the first full translation of this unstudied masterpiece into English, in alliterative prose that mirrors the original.

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